Metal Clay Quilt Pendant by Hadar JacobsonDomino Earrings
Be creative with PMC®, polymer, and tile grout.

Intermediate-Advanced
Intermediate-to-Advanced.

Photo of finished piece by Lauren Fisher; all other photos courtesy of the author.

The following instructions for preparing the domino pieces apply to any kind of inlay: Polymer clay, resin, or concrete. In preparing these earrings I used pre-mixed tile grout. It mixes well with the colors with a minimum of chunks or pores. The range of colors that can be used with tile grout is limited, but I like its lightness, and smooth and elegant matte finish.


Step by Step

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• Standard PMC®
• White polymer clay
• Rolling pin
• Metal tubes, square or rectangular and round
• Corn starch
• Olive oil
• Toaster oven
• Scraper
• Sponge sanding pads, medium, fine, extra-fine and ultra-fine
• Thin tube or rod
• X-Acto® knife or jeweler’s saw
• Kiln
• Alumina hydrate
• Wet/dry sandpaper, 220-grit and 400-grit
• Extra-fine mini fiber wheel
• Rotary tool
• Pre-mixed tile grout, grey and/or white
• Grout colorants
• Bottle caps
• Emery boards
• Clay shaper
• Fine silver wire, 20-gauge
• Wire cutters
• Torch
• Little Torch™
• Cross lock tweezers
• Earwires

You can also search for products and materials in our Annual Buyers' Directory.
Always ask for the MSDS (Material Safety Data Sheet) for any materials you buy, which will give you reactivity, health hazard, and safe handling data.

Hadar Jacobson creates her silver PMC jewelry and teaches classes at her studio, "Textures" in Berkeley, Calif. For photos of her work and
information about galleries, awards and publications please visit her Web site: www.artinsilver.com. For questions, information, or advice, please e-mail her at hadar@pacbell.net.

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To make the domino mold, roll a thick layer of white polymer clay.

Press a square or rectangular metal tube into the layer to mark the top contour line of the earrings. Covering it with corn starch will prevent it from sticking to the clay when you pull it out.

Continue pressing the tube into the clay to mark all the horizontal lines.

Press the tube into the clay to mark all the vertical lines.

Press the open side of a round metal tube into the clay to mark the dots of the domino pieces.


Bake the polymer clay for 20 minutes at 275°F.

Oil the baked polymer clay mold.

Roll a thick layer of standard PMC® (8–10 cards thick).
Make it big enough to cover the whole design marked on the mold, and place on the oiled mold.

Press the clay into the mold with your fingers, making sure it gets all the way inside all the indentations.

Carefully pull the PMC® layer out of the mold, and turn it over.

Using a scraper, cut off the excess PMC® around the contour lines of the domino pieces.

Let the pieces dry.

When you pressed the clay into the mold, some indentations were formed on the back of the pieces.
Fill them with clay, smooth the back with a wet finger, and dry again.

Sand the pieces on all sides with sponge sanding pads, starting with medium grit, continuing with fine and extra fine, and finishing with ultra fine. To sand the front and the back flush, lay the piece on the pad, and move it around in circular motions.

To make a tube for the hinges, roll a layer of PMC® 2 cards thick. Wrap it around a very thin tube or metal rod, such as a skewer or a turkey lacer. When placed next to the domino piece, the top of the tube should be flush with the top of the piece.

Cut the tube into 10 small tubes. You can do it with an X-Acto® knife before drying, or with a jeweler’s saw after drying.

For each earring, use slip to attach one hinge bail on the top center of the bottom piece, and two hinge bails on the bottom of the top piece with no space between them. Also attach two on the top of the top piece. Dry.

To enlarge the contact area between the bails and the pieces, reinforce all the joints with clay, and dry again.

 

Fire all 4 pieces in a kiln over a layer of alumina hydrate for 2 hours at 1650°F.

Sand all sides of the pieces with wet/dry sandpaper. Start with 220-grit, and finish with 400-grit.

Matte the surface with an extra-fine mini fiber wheel, mounted on a rotary tool.

For the inlay, I use pre-mixed tile grout, and grout colorants. The grout comes in both gray and white, and mixing each of these colors of grout with the same colorants will yield different results.

For these earrings, I used white grout with colorant for the dots, and grey grout with colorant for the surrounding area. The colorants are pure pigments that come in the form of powder. They are available in black, blue, green, and some earth colors such as sand, red brick, plum, and terra cotta.

Pour some colorant into a bottle cap. Mix it with a very small amount of water and mix until all chunks disappear.

Add some grout, and mix into a smooth thick paste.

Fill the pieces with the mixed grout. Start from the inside (the dots) and continue with the surrounding area. It’s easier to overfill the areas and sand it down later, than if you fill too little and have to add more grout later. In any case, cover the bottle caps with plastic food wrap to keep the mixture moist for later use.

 

Let the grout dry. If you dry it over a candle warmer, it will dry in less than 30 minutes.

Sand the surface down under running water. I find it easiest to use emery boards for this purpose.
Continue sanding until the silver resurfaces.

After the first sanding, there will be some pores on the grout surface. Use a clay shaper to pick up some grout from the saved bottle caps, and use it to fill the pores. Dry. Repeat this process until all the pores have disappeared.

It is not necessary to seal the grout, but if you wish to, any acrylic or wax sealer will do. I like to use Renaissance® Wax because it brings out the color without making it shiny.

To begin the assembly, cut 2 pieces of 20-gauge fine silver wire.

 

To ball up the ends, hold the wire vertically at one end with cross lock tweezers. Using a torch, aim the tip of the inner flame at the bottom of the wire. When a ball forms, quickly remove the flame. The ball should be big enough not to pass through the bails. Cool the wire by dipping it in water.

Insert one wire through all three tubes that make the knuckles of the hinge.

 

To ball up the other side of the wire I use the Little Torch™. The flame is so hot and thin that it melts the tip of the wire quickly, before the rest of the piece can heat up. If the piece gets too hot, the ball will not form. Using the same method as in Step 31, ball up the other end of the wire.

Repeat Steps 30–31 with the bails on the top side of the piece.

Insert the earwires.

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